Chinese Cinema Film Discussion Essay

Chinese Cinema Film Discussion

6 Separate Weekly Response Posts (approximately 500 words each).
For each response, please discuss one or two themes that you find most interesting in the film and required readings for that week. Make specific references to at least one clip from the week’s films, and at least one reading for that week. At the end of the response, please also raise at least one question you’d like to discuss further in class.
Familiarize yourself with film vocabulary at https://filmanalysis.yale.edu/ (Links to an external site.). Pay attention to mise-en-scene, cinematography, editing and sound when you do close-reading of film clips.
Streaming links/directions are provided under each post. Example discussion posts for each topic are uploaded in files. Some of the readings are attached below. Please feel free to express your thoughts and views towards cinema studies. These films are exciting to watch, too.

Resources and References on Each Post
[1st Post] Film: Terrorizer (Edward Yang, 1986) (Amazon Prime)

Clips:

* Taipei Story (Edward Yang, 1985)

* A One and a Two (Edward Yang, 2000)

Readings:

* Emilie Yueh-yu Yeh and Darrell William Davis, Taiwan Film Directors: A Treasure Island (Columbia University Press, 2005), “In the House of the Yang”, 91-132. 41 pages.

Suggested readings:

* John Anderson, Edward Yang (University of Illinois Press, 2005), 45-53.

* Fredric Jameson, “Remapping Taipei.” Nick Browne et al eds., New Chinese Cinemas: Forms, Identities, Politics (Cambridge University Press, 1994), 117-150.

[2nd Post] Film: Chongqing Express (Wong Kar-Wai, 1994)

Available Link: https://fsharetv.co/movie/chungking-express-episode-1-tt0109424

Clips

* The Days of Being Wild (Wong Kar-Wai, 1990)

* Happy Together (Wong Kar-Wai, 1997)

Readings:

* Ackbar Abbas, “The New Hong Kong Cinema and the Déjà Disparu,” Hong Kong: Culture and the Politics of Disappearance (University of Minnesota Press, 1997), 16-47. 32 pages.

* Jean Ma, “Chances Encounters and Compulsive Returns,” Melancholy Drift: Marking Time in Chinese Cinema (Hong Kong University Press, 2010), 123-146. 23 pages.

[3rd Post] Song of Exile (Ann Hui, 1990)

Available link: https://www.youtube.com/watch?v=Vi8mzeEn95s

Clips:

* Durian, Durian (Fruit Chan, 2000)

Readings:

* Kwai-cheung Lo, “Hong Kong Cinema as Ethnic Borderland,” Esther M.K. Cheung, Gina Marchetti, Esther C.M. Yau, A Companion to Hong Kong Cinema (2015), 71-88. 18 pages

* Patricia Brett Erens, “Crossing Borders: Time, Memory, and the Construction of Identity in Song of the Exile,” Cinema Journal v. 39, no. 4, 2000, 43-59. 16 pages

* Ban Wang, “The Banality of Trauma: Globalization, Migrant Labour and Nostalgia in Fruit Chan’s Durian Durian,” in Panic and Mourning: The Cultural Work of Trauma, edited by Daniela Agostinho, Elisa Antz, Cátia Ferreira (De Gruyter, 2012), 145-160. 16 pages.

Recommended Readings:

* Siew Keng Chua, “Song of Exile: The Politics of Home.” Jump Cut 42, 1998, 90-93. http://www.ejumpcut.org/archive/onlinessays/JC42folder/SongExileChua.html (Links to an external site.)

* Freda Freiberg, “Border-Crossings: Ann Hui’s Cinema,” Senses of Cinema, October, 2002, http://sensesofcinema.com/2002/filmmaker-profiles/hui/

[4th Post] Film: City of Sadness (Hou Hsiao-hsien, 1989)
Available Link: http://tdrama.net/watch-online-a-city-of-sadness-episode-1-29406.html
Readings:

* June Yip, “Towards the Postmodern: Taiwanese New Cinema and Alternative Visions of Nation,” Envisioning Taiwan: Fiction, Cinema, and the Nation in the Cultural Imaginary (Duke University, 2004), 49-68. 19 pages.

* June Yip, “Remembering and Forgetting, Part II: Hou Hsiao-hsien’s Taiwan Trilogy,” Envisioning Taiwan: Fiction, Cinema, and the Nation in the Cultural Imaginary (Duke University, 2004), 85-111, before the section “Play/Dream/Life”, 27 pages.

* Jean Ma, Melancholy Drift: Marking Time in Chinese Cinema (Hong Kong University Press, 2010), “Chapter 2: Photography’s Absent Times”, 51-72. 21 pages.

[5th Post]Film: Crouching Tiger, Hidden Dragon (Ang Lee, 2000) streamable on amazon prime/netflix/google

Clips:

* Enter the Dragon (Bruce Lee, 1973)

* A Touch of Zen (King Hu, 1971)

Readings:

* Stephen Teo, Chinese Martial Arts Cinema (University of Edinburgh Press, 20, Introduction 1-12, before “Chapter Divisions” 12 pages.

* Daryl Joji Maeda, “Nomad of the Transpacific: Bruce Lee as Method,” American Quarterly, v. 69, n. 3, 2017, 741-761. 21 pages.

* David Bordwell, Poetics of Cinema (Routledge, 2008), “Richness Through Imperfection: King Hu and the Glimpse”, 413-430, 18 pages.

Suggested readings:

* Vijay Prashad, Everybody Was Kung Fu Fighting: Afro-Asian Connections and the Myth of Cultural Purity (Beacon Press, 2002), “Kung Fusion: Organize the ‘Hood Under I-Ching Banners,” 126-149. 24 pages.

[6th Post] Films: Hooligan Sparrow (Nanfu Wang, 2016)
Streamable on Amazon prime / youtube
Clips:

* Disturbing Peace (Ai Weiwei, 2009)

* In Search of Lin Zhao’s Soul (Hu Jie, 2005)

Readings:

* Gina Marchetti, “Feminist Activism in the First Person: an Analysis of Nanfu Wang’s Hooligan Sparrow (2016)”, Studies in Documentary Film: Feminist Approaches in Women’s First Person Documentaries from East Asia, edited by Kiki Tianqi Yu & Alisa Lebow, v. 14, no. 1, 2020

* Ying Qian, “Working with Rubble: Montage, Tweets and the Reconstruction of an Activist Documentary,” in Matthew D. Johnson, Keith B. Wagner, Tianqi Yu and Luke Vulpiani, eds., China’s iGeneration: Cinema and Moving Image Culture for the Twenty-First Century, pp. 181-196.

* J.P. Sniadecki, “Documentary is just one of my tools: the digital activism of Ai Weiwei” http://cinema-scope.com/cinema-scope-magazine/interviews-documentary-is-just-one-of-my-tools-the-cinematic-activism-of-ai-weiwei-by-j-p-sniadecki/ (Links to an external site.)

Chinese Cinema Film Discussion Essay

Write my Essay. Premium essay writing services is the ideal place for homework help or essay writing service. if you are looking for affordable, high quality & non-plagiarized papers, click on the button below to place your order. Provide us with the instructions and one of our writers will deliver a unique, no plagiarism, and professional paper.

Get help with your toughest assignments and get them solved by a Reliable Custom Papers Writing Company. Save time, money and get quality papers. Buying an excellent plagiarism-free paper is a piece of cake!

All our papers are written from scratch. We can cover any assignment/essay in your field of study.